![](https://pinterest.com/pin/create/button/?url=https://www.mindbodyheartandsoul.org/video/interstate-60-episodes-of-the-road/&media=https://www.mindbodyheartandsoul.org/wp-content/uploads/2016/12/Interstate-60-Episodes-of-the-Road-1.png&description=<h2><span style="color: #993366;">Interstate 60 Episodes of the Road</span></h2>
<em>Interstate 60: Episodes of the Road</em> is about a highway that doesn't seem to exist, yet somewhere in between two highways in Louisiana it does, indeed, exist. The main character of the film has a hard time trying to find it at first, for his destiny lies somewhere upon the seemingly non-existent highway.
<h3><span style="color: #993366;">Suprisingly Good</span></h3>
People looking for <em>Interstate 60: Episodes of the Road</em> may have just as hard a time looking for the movie itself, as it was not theatrically released, has not been released on DVD, but continues to circulate around small theaters and film festivals since 2002, in search of more eager viewers who will no doubt be both surprised and inspired by the film's truthfulness and sense of morals.
<h3><span style="color: #993366;">A Film That Stays With You</span></h3>
Yet <em>Interstate 60</em> plays like anything but a Surgeon General's warning. It isn't as openly strict or hard-nosed. It has a sort of subtle warning inside it that lets the viewer decide what it is about. It's a film that stays with you after it's over, and that's a rare thing these days.
<h3><span style="color: #993366;">It All Starts With....</span></h3>
It all starts with a rich kid named Neal Oliver (James Marsden, <em>X-Men</em>). Neal's 22nd birthday has just arrived, and with it a shiny-red BMW sports car, with the license plate specially modeled after his father's own personal motto. In fact, the entire convertible seems to be modeled after Neal's father's own tastes. "I woulda killed to have something like this when I was your age," his dad mutters. We have a feeling he really would have, too.
Neal makes a wish for his birthday, to find a meaning to his life. It is overheard by an odd man named O.W. Grant (full name: One Wish Grant), who decides to grant Neal his wish - by sending a painter's bucket flying from above, only to come to a stop on Neal's skull.
Out of it for a while, Neal wakes up again and finds his perception noticeably different. He notices things he never noticed before; his senses are more acute. A strange doctor named Ray (Christopher Lloyd) explains a thing or two about perception and blindness to Neal, before Neal finds out there is no doctor on the staff at the hospital named Ray (though that seems a bit odd, don't you think?).
<h3><span style="color: #993366;">Longing for Love</span></h3>
Neal meets Ray again in a skyscraper, where Ray gives Neal a job to transport a small briefcase to Danver (yes, DanVER), a small town located along I-60. Neal reluctantly agrees to go on this journey in hopes of finding a girl he can't rid his mind of, and so he finally locates this nonexistent highway. Along his journey he once again meets O.W. Grant (Gary Oldman), as well as Laura (Amy Jo Johnson), a woman seeking as much sex as possible; a cop (Kurt Russell) in a small drug-infested town; an ex-advertising agent played by Chris Cooper; and finally he finds the girl of his dreams (literally), Lynn (Amy Smart). Along his journey, Neal comes to terms with himself and who he really is, and although this is predictable, the way that the film gets the message across is more than ingenious.
<h3><span style="color: #993366;">Bob Gale</span></h3>
The writer and director of the film is Bob Gale, the man most people will always remember as the creator and sole writer of the three <em>Back to the Future</em> films. Gale tried his hand at directing a few times, including the 1995 "interfilm" called <em>Mr. Payback</em>, which I have not seen but have heard is a supposedly horrid excuse for a film. <em>Interstate 60</em> is not - it is a cleverly written little film that avoided being released into the mainstream, and for a reason: It didn't want to become Hollywoodised. It hasn't. And it shows.
<h3><span style="color: #993366;">Important Messages</span></h3>
<em>Interstate 60</em> is unmistakably a low-budget film, but it is all the better for it. It has some important messages that really should be seen by everyone. In a time when films like <em>Gigli</em> are invading the film market, this is a breath of fresh air, a step towards a better side of film-making, a side with morals for today's youth and future generations.
There are some great messages in this film, it's a shame that the majority of moviegoers and families seeking quality films will never even see this film, much less hear about it - that is, unless they visit this site here. :)
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<p style="text-align: center;"><span style="color: #993366;">?*?*?</span></p>
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Would you like to support our Foundation? Do you know of a teenage girl who loves to read books? Here’s a link to one of our fundraisers – a teen book titled The Bravehearts of Belgrave High. Click on the following link to read more:
<a href="http://www.tolemac-chronicles.com/" target="_blank" rel="noopener">The Tolemac Chronicles</a>)
Interstate 60 Episodes of the Road
Interstate 60: Episodes of the Road is about a highway that doesn’t seem to exist, yet somewhere in between two highways in Louisiana it does, indeed, exist. The main character of the film has a hard time trying to find it at first, for his destiny lies somewhere upon the seemingly non-existent highway.
Suprisingly Good
People looking for Interstate 60: Episodes of the Road may have just as hard a time looking for the movie itself, as it was not theatrically released, has not been released on DVD, but continues to circulate around small theaters and film festivals since 2002, in search of more eager viewers who will no doubt be both surprised and inspired by the film’s truthfulness and sense of morals.
A Film That Stays With You
Yet Interstate 60 plays like anything but a Surgeon General’s warning. It isn’t as openly strict or hard-nosed. It has a sort of subtle warning inside it that lets the viewer decide what it is about. It’s a film that stays with you after it’s over, and that’s a rare thing these days.
It All Starts With….
It all starts with a rich kid named Neal Oliver (James Marsden, X-Men). Neal’s 22nd birthday has just arrived, and with it a shiny-red BMW sports car, with the license plate specially modeled after his father’s own personal motto. In fact, the entire convertible seems to be modeled after Neal’s father’s own tastes. “I woulda killed to have something like this when I was your age,” his dad mutters. We have a feeling he really would have, too.
Neal makes a wish for his birthday, to find a meaning to his life. It is overheard by an odd man named O.W. Grant (full name: One Wish Grant), who decides to grant Neal his wish – by sending a painter’s bucket flying from above, only to come to a stop on Neal’s skull.
Out of it for a while, Neal wakes up again and finds his perception noticeably different. He notices things he never noticed before; his senses are more acute. A strange doctor named Ray (Christopher Lloyd) explains a thing or two about perception and blindness to Neal, before Neal finds out there is no doctor on the staff at the hospital named Ray (though that seems a bit odd, don’t you think?).
Longing for Love
Neal meets Ray again in a skyscraper, where Ray gives Neal a job to transport a small briefcase to Danver (yes, DanVER), a small town located along I-60. Neal reluctantly agrees to go on this journey in hopes of finding a girl he can’t rid his mind of, and so he finally locates this nonexistent highway. Along his journey he once again meets O.W. Grant (Gary Oldman), as well as Laura (Amy Jo Johnson), a woman seeking as much sex as possible; a cop (Kurt Russell) in a small drug-infested town; an ex-advertising agent played by Chris Cooper; and finally he finds the girl of his dreams (literally), Lynn (Amy Smart). Along his journey, Neal comes to terms with himself and who he really is, and although this is predictable, the way that the film gets the message across is more than ingenious.
Bob Gale
The writer and director of the film is Bob Gale, the man most people will always remember as the creator and sole writer of the three Back to the Future films. Gale tried his hand at directing a few times, including the 1995 “interfilm” called Mr. Payback, which I have not seen but have heard is a supposedly horrid excuse for a film. Interstate 60 is not – it is a cleverly written little film that avoided being released into the mainstream, and for a reason: It didn’t want to become Hollywoodised. It hasn’t. And it shows.
Important Messages
Interstate 60 is unmistakably a low-budget film, but it is all the better for it. It has some important messages that really should be seen by everyone. In a time when films like Gigli are invading the film market, this is a breath of fresh air, a step towards a better side of film-making, a side with morals for today’s youth and future generations.
There are some great messages in this film, it’s a shame that the majority of moviegoers and families seeking quality films will never even see this film, much less hear about it – that is, unless they visit this site here. 🙂
.
?*?*?
.
Would you like to support our Foundation? Do you know of a teenage girl who loves to read books? Here’s a link to one of our fundraisers – a teen book titled The Bravehearts of Belgrave High. Click on the following link to read more:
